Blog

  • Pizza is all about context

    People who debate about whether or not this or that pizza is the best in the world are missing the point.

    Pizza is all about context. It’s different in different places because it needs to be. It reflects the unique lifestyle of a particular area.

    Here’s how I see the two styles I’m most familiar with: NYC and Buffalo

    NYC

    Thin, wide, flat, lots of surface area. Dry, dusty, charred (in places) crust. Fold it, always fold it, but watch out for that grease trough you just made; it’ll get on your favorite sweats and leave a stain; stuff a napkin back there, or better yet, sop up that grease with a few paper towel pats to begin with.

    You eat it on the go; you just arrived for a weekend tryst, hungry and cramped from sitting in a plane, then a car, for hours. You need to get to the hotel, arena, playhouse, friend’s apartment, whatever, or you’ll “be late”; there’s always that delay of game penalty you’re running from.

    You’re in between things; just been shopping but have some time to kill before the opening. You’re tired; walking all day will do that. You stumble across a glassy exterior with those levels of steamy goodness calling to you from the interior. People are standing in line. In you go, “a slice of plain please”. Whatever the word for pizza chef wields an enormous wooden paddle, slings a cold slice into gigantic steel multitiered cavern, from which emerges your piping hot slice. You shake on a mountain of flavor from the “free toppings tray” as my friend Kip always called it—garlic salt, parmesan cheese, oregano and crushed red pepper—and off you go, back into the maelstrom.

    NYC Pizza is NYC. It’s delicious, hot, messy, and made for the constant onslaught of the masses, hungry and late, needing a full, hot belly to keep up.

    Buffalo

    Fat. Doughy. Thick. Soggy, but with crispy bits strategically implemented throughout; the edges of the pepperoni, the apex of the crust, which when examined resembles the surface the moon.

    You’re at a gathering: a party, an event, a celebration, and expecting to eat something. You’re pretty hungry, hangry is more like it. After all, this is Buffalo. People get hangry a lot, driving to and from these gatherings, usually through layers of ice and wind that coat everything.

    Eating is a respite. I don’t know how much I want; I just want to dive in. Show me to the party; let me get my party on.

    You don’t buy a slice in Buffalo. You buy a pizza. It’s either a party pizza, or a sheet, or a half sheet. It doesn’t come round; if it does, it’s usually kinda squarish, like they are so used to doing angles and can’t shake off the muscle memory for the rare round order.

    The pizza is cut up into little chunks. Nothing, really. So easy to grab another one. So likely a perfect bowl of heaven will reside there: that quarter sphere of pepperoni, the rim brown-almost-black, remnants of a combination of olive oil and liquid lard swirled at the bottom, so small it is likely completely uncut, posted there in glory on a field of mozzarella.

    What’s that, over there? Wings! Of course. Let’s grab a few of those; some blue cheese as a rule. Oops; my pizza dropped into my dip (or was it the other way around? Queue the old Reeses PBC commercials). All the better; the tang of blue cheese is an amazing complement to the sweet, spiciness of Margherita pepperoni-laden Buffalo style pizza.

    Bottom Line

    Pizza is too general a term for that staple of our diets, and can’t be compared from one region to another. It’s all about how we eat it.

  • Swimming

    So I started swimming. Last night I went 3000 yards in an hour. Not bad for being out of it for a year.
    I’ve always loved swimming on a certain level. There’s no impact, just a “plodding along” type of thing. People hate it because it’s boring compared to running or biking. There’s nothing to look at, nothing to discover. I like it for those reasons. With running or biking, you’re always kind of wondering how you’re getting home. You keep your eye out for dogs, potholes, cars… In swimming, there’s none of that. There’s just you and the 25 yards/18 strokes/6 breaths till you get to the other end.
    When I was swimming a lot, I guess I was around 12 or so, I did long course at  the local university. The pool was enormous. I remember having visions of the most beautiful lettering, it was green and blue and kept shifting from one word to another. I must have been really oxygen depleted because it was definitely an extraordinary experience.

  • Coda 2 review

    Just bought Coda 2. First impression:
    Apple store download took a while. Then I entered into some kind of OSX Lion spaces environment–weird, but maybe it’s because I don’t install stuff from the app store very often.
    I opened it, and was prompted to jion the mailing list, which I did. The second checkbox, allowing me to sync with iCloud, was greyed-out, and I couldn’t check it. Weird.
    I was prompted to import my transmit favorites. Yay! but I had to allow Coda to access my private credentials for each one. I have like 75 on this machine. So 75 clicks later, I finally imported all my transmit favorites. This could use some work, Panic.
    Looking forward to playing with it today!

  • Sketchbook rant

    Pick a book, any book, off your bookshelf or wherever you keep books. Maybe you don’t have books.

    I guarantee they are better quality than any of the sketchbooks you can buy. The paper, binding, everything — 100% better than the most expensive moleskins or rhodis or lagenhreufer / whatever that german brand is.

    Why? 90% of those copies are never going to be opened, much less read.

    Here’s an idea: someone yank the printer ink out of the press halfway through the run, and sell the BLANK, AWESOME books at double the msrp. I guarantee they will sell out and leave the boring printed junk in the dust.

    I wish I knew who was in charge of printing all those perfect bound, glorious books. “Hey, Mike– save me a few blanks on your next edition of Cold Mountain:A Journey into the Boringest Place On Earth; name your price” I’d say.

    Next time you go to church-open up a hymnal, rifle through the silky, wafer thin sheets covered in cacaphony, and imagine having one with nothing on it. 1000 pages of near indestructible, perfect surfaces just waiting for you to scrawl on.

  • Thoughts about linux (ubuntu 8.1) from a new user

    After my macbook fried and my xp box got infected beyond repair, I decided to start all over with linux. I’ve never used it before, so here are some initial reactions from a long time computer user, both in windows and mac environments, starting fresh:

    1. It’s the most user-friendly environment I’ve tried. It combines the best of windows and mac in one interface. Open folders and files along the bottom (the tray?) is such a natural thing that I always liked about windows. The intrusive dock is something I’ve always disliked about mac. Everything is crisp, the system fonts are legible, and working in it from a gui standpoint is very satisfying.
    2. I love discovering how it works. At first, it’s annoying to deal with package installations and terminal commands, but after a while you get a feel for how and why they work.  There are strange icons nestled into the various static bars on the top and bottom of the screen (menu bar? task bar? Again, I need to learn the lingo), that do cool stuff when you click them.  For instance, in the lower left is an interesting one, that nicle hides everything on your desktop when clicked. I know os x does this and much more with the f9 f10 f11 keys, can’t think of what they call it at the moment. But all I ever really need regarding windows is a quick way to see my desktop. Each time I find something new in it, I feel a sense of accomplishment (wow I am a geek).
    3. It seems no faster or slower than osx or windows at the moment (maybe a little bit faster, I’m using a dell 4600 with 1.5 gb Ram).
    4. I wish the windows were anti-aliased. Probably a memory saver, but I’d turn it on if I knew how.
    5. It came with some interesting apps. So far, I’ve used gimp (graphics), rythmbox (music management), firefox (web browser), picasa (photo manager), and Kino (video editor). Some thoughts:
      • Gimp sucks. Gimp is such a horrible name for software anyway; it connotes a crippled, inferior entity, which Gimp unfortunately seems to be. I need shape layers, I need precision zooming, and I can’t imagine Gimp has Photoshop’s anti-aliasing prowess (see my previous post), so I’ll do my icon work on my old mac for now. If you don’t have an old mac with photoshop 7 on it to use, then I guess gimp is for you.
      • Rythmbox with built in lastfm is cool, and I’d love to get better at it. Unfortunately, my ipod/iphone centric life would need some hardware adjustments.
      • Firefox is fine, although one of my sites looked weird, maybe due to font issues, which I’ll address in a future post.
      • Picasa is really critical. I have every photo I’ve taken in the last 10 years on the second drive of this machine, and it was all managed via picasa running on xp before I wiped the first drive and installed ubuntu. It seems that picasa won’t recognize the 2nd drive. I briefly checked for answers via google and hit the wall (future post). You would think it would be easy for picasa to pick up where it left off, but no luck yet.
      • Kino imported the .mps files from my camcorder, but made them look weird. Need to investigate.
    6. I miss Georgia, more than anything. Nothing reads like that font. Please, Matthew Carter, if you ever read this, get me some Georgia on Linux.
    7. Using Linux makes you feel free, in general. But Inkscape and Gimp just ain’t Illustrator and Photoshop.
    8. FTP is perfect. I don’t know why OS X doesn’t build it in like linux. FTP programs are pointless when you can just mount a remote server like any disk.
  • Art as Anthropology part 1

    I often think of Picasso’s famous quote, “Art is the sum of my destructions”. I’ve always gotten that. Whenever I make art, I feel like the second I’m close to that perfect line, shade, shape or texture, there’s all this pressure that I’m gonna fuck up.

    When that happens, I imagine a little Picasso sitting on my shoulder, going “So why not fuck up royally?” And I give in. It’s easy, freeing, and I embrace the fuckup. I slash the pen, gouge the surface, rip it all up.

    It never quite works, though. More often than not, I end up with a pile of mess. I chastise myself for wasting my time, paint, paper, canvas. I feel like a failure in little Picasso’s eyes. “You didn’t fuck up hard enough” I can hear him saying.

    The little voice is easy to dismiss. Of course I can make something nice. Not destroy it. Nurture it, coax it along in its lousy, spineless, eager-to-please formulaic predictability. Eventually I’ll end up with something having at least a few people gazing, stoking my ego-fires.

    But the best stuff I’ve always made happens when I give in. The only way to find that thing, the thing I want to leave behind, is to fuck up. Intentionally. Destroy that clean line, that perfect texture, that awesome font. Force myself to do it again, but better this time. And being aware of my doing it.