Frottage

This was one of the first techniques I learned when I began art school, back in fall ’89.

It was eye-opening. For the first time, I wasn’t responsible for every nuance that came along. The surface dictated what marks were left. Suddenly, I felt a sense of freedom from that burden of decision in art; micromanaging every line, discrediting hours of work based on unsound logic, those things were no longer mandatory.

I never recognized the role this technique played in my development as an image maker. Maybe the school I attended (SUNY Buffalo) was enamored with stuff built with frottage, or maybe it was the current “flavor of the day” in the academic art world. I never stopped using it, though.

Author: empireoflight

I'm a professor, artist, and designer living and working outside Buffalo, NY. I love chess, cooking, and ice hockey (even though I can't skate).

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